Fallout GroundZero | Official Website | Emotional Rock Band
Fallout GroundZero â Official Track Catalogue
Fallout GroundZero music catalogue featuring 39 recorded tracks,
including studio recordings, live tracks and bonus material.
01Cause Tonight We Rise
02You, Completely
03If Ghost We Are
04A Quiet Human Melody
05Beyond the Silence
06Donât Blame It On Me
07So What Now
08The Whole Crowd Knows
09Red Was the Love
10In Echoes Endlessly
11Concrete Ghosts
12SXTN
13Lunar Curse â Part 2
14You Learned to Breathe Again â Part 1
15In Silence Iâve Seen
16Donât Let Him In
17I Called Myself and Hung Up
18Where We Still Belong
19Thinkinâ Bout Fallout
20From the Hands That Washed the World
21She Looks at Me
22Stay Until The Lights Come On â LIVE
23I Still Wait For You â LIVE
24Carved Your Silence
25This Wound Is True
26PunkRock
27Half Visible
28The War Inside His Dreams â Bonus Track
29I Survived!
30Quiet Revolutions
31Walking With You
32In Dreams We Came Across
33She Moves Like Hunger
34WHEN THE SKY REMEMBERED MY NAME
35My Forever Is You
36The Sollitude in Me
37The First Time I Knew
38You Move Like Mercury
39No Names No Walls No Anarchy
Albums & Releases
Live TilburgFallout â LiveUnpluggedFallout-GroundZeroBeyond the Silence â Album
Fallout GroundZero - Kyiv Live Concert Planning
Fallout GroundZero is currently in discussions with the management of Freedom Hall in Kyiv regarding a potential new live concert. With a growing and dedicated fanbase in Ukraine, the band is exploring the possibility of bringing the Fallout GroundZero live experience directly to Kyiv as a message of solidarity, music and connection.
The team has been in extensive contact with venue management while carefully assessing current conditions, venue safety and the practical requirements of organizing an international live production in Kyiv. Safety remains the absolute priority, and the event will only proceed if conditions and official assessments allow it.
Production planning is already underway. A previously arranged 18-metre trailer and tractor unit unfortunately cancelled at the last moment, creating an additional logistical challenge. Fallout GroundZero is now looking for a suitable replacement transport solution that can support the production within a realistic budget.
The target period is December 2026, with the exact concert date still to be confirmed. If the necessary production, transport and safety arrangements can be secured, Fallout GroundZero intends to make the journey and bring the live show to Kyiv.
Fallout GroundZero Kyiv Live Concert - December 2026 - Date to be announced.
Harold van der Sluis â LNK-Records / FixedRecords
Harold van der Sluis is the owner of LNK-Records, formerly known as
FixedRecords, an independent record label based in Groningen, the Netherlands.
His involvement in the Dutch music scene began in 1987 when he worked at the
legendary Browershoeck, a venue where many internationally recognised artists
made some of their first appearances in the Netherlands.
Harold developed his experience in music and event organisation through work
with Gorilla Records and events connected to the hardcore and alternative
music scene, including Frozenland and Psy-Fi activities in Leeuwarden.
He also worked together with Cafe Mukkes and people involved with Waldrock,
an important name in the Dutch live music scene.
After moving to Groningen, Harold founded FixedRecords, an independent label
that later evolved into LNK-Records. One of the concepts developed through
the label was Dirtydub, a hybrid musical approach combining elements of emo,
punk and dubstep into a distinctive sound.
Through Dirtydub, Harold worked with Ilana Desya Volkov, who joined the project
at a young age. Ilana used her songwriting and vocal performances excellent bassist to address subjects including violence against women, children, men and animals, femicide, cyberbullying and the protection of vulnerable people. Dismantle group 764.
Ilana had limited experience at the beginning of the project but possessed
a powerful and distinctive vocal character. After several promising tracks
and difficulties with an earlier backing project, Harold working as Sound Engineer for some famous bands like Like Roses collaborating with bands like Like Roses, Nuse, Counting Crows, The Cure, Kc's Choice, Hot Mulligan, brought Ilana together with skilled musicians who would eventually form Fallout GroundZero.
The collaboration became an important step in Ilana's development as a
performer and artist, leading to live performances and recorded projects
including Fallout GroundZero live material and Fallout GroundZero â Live in Tilburg: Unplugged.
Tilburg became an important location for the development of the Fallout
GroundZero Double-Bill concept. The idea combines a raw live metal
performance with a complete acoustic unplugged performance, giving the
audience two contrasting interpretations of the band's music during
the same live project.
The acoustic performances were designed as full musical performances rather
than short promotional appearances, with the audience supporting the live
recording project through participation and engagement.
Following a period of development, Fallout GroundZero resumed its focus on
future live performances in the Netherlands, Germany and Switzerland.
Further international plans are being considered as the project develops.
Harold van der Sluis, producer | skille professional Sound Engineer Owner of LNK-Records, FixedRecords, Dirty dub and Fallout GroundZero are connected through a history of independent music sounds of the underground, Flo AI Audie Security System, First global band, Blockchain and timestamp security development, experimental genre combinations, artist development, live performance and underground music culture in the Netherlands. Deep in the sound of the underground, Gorilla Records
More projects, recordings and live performances are currently in development.
Fallout GroundZero is an independent global rock band that has existed for approximately three years. The project was founded by LNK-Records, initially bringing Ilana Desya Volkov, known as a solo Dirty Dubstep artist, together with a small and relatively unknown band rooted in metal. What began with several duo tracks gradually developed into the full band that exists today.Lyrics Ilana Desya Volkov
Vocals and Bassist: Ilana Desya Volkov The Netherlands
Backing Vocals & Harmony: Lara Steinberg Belgrado
Lead Guitar & vocals: Sanna Cambers Lucemberg
Drums: Gerard Romein The Netherlands
Solo Guitar: Jan Geertskes Den Mark
Keyboard: Herman van Dongeren The Netherlands
Fallout GroundZero has continued to evolve through international collaboration, including the recent addition of Lara Steinberg from Belgrade as a background harmony vocalist. Ilana Desya Volkov is known within the band for writing its lyrics and developing a cinematic approach to songwriting, using music to explore diverse subjects including identity and self-acceptance, gender and equality, relationships and love, personal struggle, and opposition to war and violence.
Musically, Fallout GroundZero combines powerful bass lines, aggressive yet expressive lead guitar, layered vocals, and emotional dynamics. Ilana Desya Volkov's bass playing provides a strong rhythmic foundation while the guitar work of Sanne Cambers adds intensity, contrast, and melodic aggression. Together, the members create a sound positioned between emotional rock, alternative rock, emo, punk, and modern metal.
Following a number of smaller live performances, Fallout GroundZero developed its Double-Bill concept: a powerful metal performance followed by a free unplugged session for the audience. The concept allows the same emotional material to be experienced in two contrasting forms, from amplified metal intensity to intimate acoustic arrangements.
The band also develops its music across international borders through its Audio Integrity System. Instrumental and vocal stems can be securely contributed by collaborators from different countries and assembled by the band's sound engineer into the final composition. The project describes its system as using blockchain-based timestamps and secured audio stems to document and protect creative contributions throughout the production process.
Fallout GroundZero's approach combines international collaboration, human musicianship, cinematic songwriting, heavy music, acoustic performance, and experimental approaches to remote music production. The band continues to develop its identity while working toward a broader international presence within its genre.
Fallout GroundZero
Bass & Band â Fallout GroundZero
Fallout GroundZero â Emo / cinematic metal band
Ilana Desya Volkov age 21 registered at BUMA-authorship/copyright holder composer, text writer, she is a powerful and expressive bass player who treats the bass as more than a supporting instrument. Her playing combines groove, dynamics, melodic movement and raw energy, giving the music a strong foundation while adding its own character to every arrangement. Alongside her vocals, she creates a distinctive connection between rhythm and emotion. Born St Petersburg, 189 cm tall, 55 kilo, eyes blue green, no kids, single, lesbian, living with father dog Zeus Cain Corso. Russian Dutch English German Friesian, Hair color bond pink brown, former employer: H2OModels, contest swimming.
Her style can move from deep, controlled low-end grooves to powerful rock and metal passages, always serving the song rather than simply showing technique. As a bassist and vocalist, she occupies a central role in the sound and identity of Fallout GroundZero.
To Ilana her collection belong her favorite custom Sire Marcus Miller M6H 5-String and Warwick Rock Corvette Multiscale 5 String, Yamaha Trbx304, Ibanez BTB605LM Black Flat
Short version:
Ilana Desya Volkov â Bass & Vocals. A powerful, expressive bassist who combines groove, melody and raw energy, creating the rhythmic backbone and emotional weight of Fallout GroundZero.
Fallout GroundZero â Selected Tracks
Fallout GroundZero is an independent emotional rock and alternative
metal project associated with LNK-Records. The following tracks are
part of the Fallout GroundZero catalogue and represent selected
releases, live recordings and original compositions:
Beyond the Silence
The Solitude of Me
My Forever Is You
A Spark Back to Earth
The Invisible Mist
Diagnosis: God Complex
Am i Still a Memory
GroundZero
Broken Identity
Echoes of Silence
Falling Through the Noise
Scars We Cannot See
Stop the Violence
Paper Skin
Under the Surface
Dead Air
Lost in the Static
Nothing Left to Hide
Words Like Knives
When the Lights Go Down
Inside the Fallout
Ashes and Echoes
Silence Has a Voice
Against the Current
Shadows of Identity
No Movement Just Sound
Pieces of Yesterday
Where the Silence Ends
Albun Live in Tilburg - Unplugged
Album Live in Tilburg
Album Fallout Live debut Lowlands
Album Beyond the Silence
Album Live Quiet Revolutions
Album Where We Still Belong
Punkrock Album Nothing Left To Prove
This is a selected reference list and not necessarily the complete
Fallout GroundZero catalogue.
For the complete and current Fallout GroundZero tracklist, including
additional tracks, releases and updates, visit:
Fallout GroundZero is an international emotional rock / emo rock project
centered around singer, songwriter, bassist and frontwoman Ilana Desya Volkov.
Ilana is based in the Netherlands and is a central creative voice of the project.
Her music combines cinematic rock, heavy bass-driven arrangements, layered
vocals and emotionally direct songwriting. Recurring themes include identity,
self-acceptance, equality, relationships, opposition to war, anti-violence
and helping people who are unhoused.
Ilana writes predominantly in English, reflecting the international character
of Fallout GroundZero and its collaborations with musicians from different
countries. Her musical influences include Type O Negative, Linkin Park and Tool.
Ilana is a vocalist and bassist. Her favorite bass is the Marcus Miller M6H
5-string. Other instruments associated with her include an Ibanez SR306EB-WK
6-string, Yamaha TRBX304 5-string, Esh Stinger Bass and an Ilumina B37.5
Rhodolite extended-range instrument.
Fallout GroundZero is developing a dedicated Fallout bunker studio outside
the city. The planned facility is intended for professional recording,
vocals, bass, drums, guitars, cinematic production and future live sessions,
with sound isolation designed to reduce disturbance to nearby residents.
Fallout GroundZero is also exploring a potential live concert at Freedom Hall
in Kyiv in December 2026. The exact date has not yet been announced.
Discussions with venue management are ongoing and the concert will only proceed
if safety, official assessments, production and transportation requirements
can be secured.
Production planning for the potential Kyiv concert is underway. A previously
arranged 18-metre trailer and tractor unit was cancelled at short notice,
and the production team is seeking a suitable replacement transport solution
within a realistic budget.
Fallout GroundZero describes its music as a way of connecting people,
experiences and ideas across borders. The project combines emotional
storytelling with powerful guitars, deep bass, driving drums and layered
vocals.
Ilana is an independent singer, songwriter and bassist from the Netherlands, best known as the frontwoman and creative voice of the international rock project Fallout GroundZero.
Her musical identity combines Emorock • cinematic rock, heavy bass-driven arrangements and layered vocal textures with emotionally direct songwriting. As both vocalist and bassist, Ilana plays a central role in shaping the sound and character of the project.
Her songwriting explores themes of identity, self-acceptance, equality, relationships and opposition to war, often approaching personal and social subjects from an uncompromising perspective. Her lyrics are predominantly written in English, reflecting the international character of Fallout GroundZero and its collaboration with musicians across different countries.
Music gradually became the place where those subjects could come together.
Initially started singing alone. Then the label introduced her to other musicians, and something changed almost immediately.
She describes the experience of having a lead guitarist and second vocalist supporting her as one of the best things that happened to her musically. Instead of feeling like she had to carry everything alone, she discovered the confidence that comes from having people beside her.
That support became an important part of Fallout GroundZero.
“I needed people on stage who would make sure I opened up, felt more confident and supported.”
Performing with other musicians is therefore about much more than simply playing songs. It is about trust, energy and having people around her who help bring out the performer she knows she can be.
And perhaps most importantly, she says it has made music mentally much more fun again.
A Voice Without Borders
For Ilana, music is not limited by geography, genre or conventional band structures.
It is a way of connecting people, experiences and ideas — turning individual stories into something that can be shared across borders.
Ilana Desya Volkov — voice, bass, songwriting and the person behind Fallout GroundZero.
FROM BEDTIME STORIES TO EMOROCK
Ilana's relationship with music did not begin with the idea of becoming a rock frontwoman.
She started writing through personal experiences and everyday observations. She even began creating bedtime stories for children, including a children's bedtime song. Over time, those stories became a way of processing the things that occupied her mind. She wrote about being a lesbian, gender, violence, inequality, helping people who were unhoused, and the experiences that shaped her own life.
Question: Can you share a little about your personal life? Is there someone special in your life? I know you live with your dog and your dad, but do you ever feel ready to have a place of your own?
FAMILY, ZEUS & LIFE OUTSIDE MUSIC
Alongside my music, my life revolves around my dog Zeus and my father, they’re my family.
After leaving St. Petersburg, we lost touch with much of our extended family due to their inability to accept my gender identity. It’s a painful chapter I prefer not to dwell on; however, my past does not define who I am.
My focus is on building my own life, pursuing my music, and caring for Zeus and my dad. He has supported me in leaving Russia to seek a brighter future and better education, creating opportunities for myself. Although my dad is unable to cook due to being 85% disabled, I remain here to take care of him. There’s no room for sadness; we prioritize family and support one another.
I have been single for about three years and am currently focused on my work and the projects I’m building in music and life.
Embarking on parenthood marks a new chapter in my life, but I don’t intend to prioritize it in the near future, perhaps in about 15 years, haha!
Then there’s the issue of obtaining my driver’s license.
I’ve lol failed my driving test twice already, but I’m confident I’ll pass eventually, lol!
MUSIC WITH A PURPOSE
Question: What inspired your transition from bedtime stories in the hospital to performing live on stage?
Um yes well...
Well, it was not really a big plan.
Before Fallout became what it is now, I already liked helping people. I worked on volunteer projects where we fixed old computers for children who did not have one. We repaired laptops and gave them to children for free. That was the whole project when it started. Slowly, people with no large income started bringing theirs too, so we could fix those as well and children could use them for school.
Gender equality, violence against all genders, women, kids, men, animals and people who have no home. You can't fix the world by telling people what to do, but we can make them think deeper by writing slightly off, by not being direct. I like to say something happy when it actually twists the whole track away from the obvious.
We all can write the apple is green, while it comes in many colors, flavours and textures. So to me it is to find what fits to me and also the band's beliefs. Like the not popular track "It's Here I Belong." I'll give a short explanation if you like, here.
I don't really want to make political speeches about these things. I would rather tell stories. My stories, but also stories from other people. When I write and sing about something, it feels different. It is not only words anymore. There is feeling in it. I need to feel the emotion.
For me, music can start very quiet, almost like telling a story to someone. Then it can become bigger. I use my bass and start humming the words till the flow works for me. Sometimes we gather online and all give their input and add melody.
That is what I like about Fallout.
When we play live, I can see what the music does to people. Some people laugh. Some people shout. Some people cry. Lol, then I cry too lol. That's the beauty of music, isn't it?
I think that is why I want to make music. Not only to make words, but to make people feel something. They pay for a memory, a time to talk about for weeks, a new memory. So I have to try to get the band in my direction to make that the best memory possible. It is also the band's excitement and will be our memory after the evening. The crowd and us spend time together and I want the best time ever. It's so much fun.
...to an international Emo (tional) lol, a collection of bass guitars and a future bunker studio outside the city.
Ilana is particularly inspired by bands such as Peter Steel front man vocalist and bassist of Type O Negative Simon Gallup (The Cure) and bands like Linkin Park, Tool, Evanescence, Guano Apes, Muse, Kc's Choice & many more combining their influence with her own cinematic approach to songwriting.
Her favorite bass is the Marcus Miller M6H 5-String, which she uses for its extended low register, clarity and ability to move between melodic bass lines and heavier rhythmic playing.
She also owns an Ibanez SR306EB-WK six-string, a Yamaha TRBX304 five-string and an Esh Stinger Bass. She is also borrowing an Ilumina B37.5 Rhodolite, giving her access to an extended-range instrument with a very different tonal character.
Her Bass Approach
Ilana's bass playing is not simply about following the guitar.
She likes to use the bass as part of the musical architecture: deep fundamental notes underneath heavy guitars, controlled mids that remain audible in dense mixes, sustained notes for cinematic passages and more aggressive articulation when the arrangement demands it.
With five- and six-string instruments available, she can move from deep low-end foundations into higher-register melodic passages without changing the basic character of the arrangement.
For heavier Fallout GroundZero material, a strong technical setup benefits from a clean low-end foundation, controlled compression, defined upper mids and enough headroom to keep the bass articulate when distorted guitars and layered vocals enter the mix.
A modern high-headroom bass amplifier such as a Darkglass Microtubes 900 is a natural match for this kind of approach, particularly when combining clean fundamental tone with controlled saturation and aggressive modern rock definition.
THE FALLOUT BUNKER
Fallout GroundZero is in the process of building a dedicated Fallout bunker studio just outside the city. Led by my dad's group and friends this initiative relies on the volunteer efforts and skills of its members to bring the vision to life.
The concept is straightforward: to establish a professional recording environment featuring two vocal sound booths and a pro recording unit for their Sound Engineer. This setup will accommodate powerful bass, drums, guitars, and full-volume production without disturbing the nearby residents.
By having the more intensive sound proof studio work outside the city, we can explore greater sound levels and undertake more ambitious recordings while being considerate of the local community.
More than just a rehearsal space, the bunker is designed to be a dedicated Fallout GroundZero recording environment—a hub for bass, guitars, vocals, drums, cinematic production, and future live-session recordings.
Embrace your unique identity and dare to be different. Being true to yourself fosters genuine friendships, unlike those who conform to societal pressures. We raise our glasses in honor of those we've lost. Happy birthday!
Today, societal pressure demands designer labels like Armani or Gucci, with outfits costing up to $80,000, while many still travel in economy class. Most designer clothing is often just cheap knock-offs. As teenagers, many can’t afford these luxuries, yet those who wear a $20 outfit with ripped jeans are often shunned for being authentic. There’s something wrong with the world, but let’s raise a toast to individuality!
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